Corigliano Symphony 1 by Daniel Barenboim with the Chicago Symphony Orchestra


https://mega.nz/file/yMtjBKgB#MGfpvMQLoO9ZaqUkRLRs0SlYIx__JM2bOzMTcO7Rxo0



 

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Maria Callas - September 16, 1977

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  To write about Maria Callas is always a pleasure, to listen to her is shaking your emotions always. Today marks 48 years since we lost her, since we lost the most extraordinary opera singer in history. She always moves your emotions till the edge of the abyss of every character she sang. No matter if she performed it on stage or not. She dug the skin of every character to squeeze the essence of it. I grow up listening opera. My mother was a great fan of Alfredo Kraus and we have all his recordings among many others. In my mother's collection we had Zeani's Puccini Arias, Sutherland's Portrait, an album by Marilyn Horne singing Lieder... and Callas' La Divina and Duets with di Stefano as well as one single with Casta Diva in side A and Mira o Norma in side B with Stignani. I love all her recordings. In my opinion there was no one soprano to the same level, not to mention nowadays. Yes!, we could prefer another version of this and that title because the whole cast, cond...
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Anneliese Rothenberger

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The soprano Anneliese Rothenberger enjoyed a distinguished stage career and was also a greatly beloved figure on German television. She could have spent her entire artistic life singing operetta heroines and the light sopranos of Mozart and Strauss. She chose, however, to balance those areas of her repertoire with a good deal of contemporary opera, which played to her impressive strengths both musically and dramatically. Rothenberger’s reach as a communicator extended well beyond opera houses and concert halls, thanks to her own highly successful television show, which made her a household name throughout the German-speaking world. Although she sang several coloratura roles (among them Oscar, Blonde, Olympia and Adele), her voice was more of a high lyric soprano. As such she was utterly at home in two definitive Strauss portrayals widely viewed as definitive, Sophie in Der Rosenkavalier and Zdenka in Arabella. Enhancing Rothenberger’s artistry in all her roles were thoughtful musicians...
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