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Mostrando las entradas etiquetadas como Beethoven

Van Cliburn live at the Salzburger Festspiele 1964

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https://mega.nz/file/rJVmxJTB#UWOOYzV376LnIfBgNpdhIrEFhyxIU5L360raEq9Fl7M  

Rachel Barton Pine plays Beethoven & Clement Violin Concertos with the Royal Philharmonic under José Serebrier

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https://mega.nz/file/eIc03IzQ#svdrJpTpz9hxcQ3Zlq_r7EU0f0JsM38ko4HE-43jhrE  

Joseph Keilberth conducts Beethoven's 7 Symphony with the Berlin Philharmonic

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https://mega.nz/file/6JMzVB5C#B5HaBKzOSFnKZd06tt5wYXT9V00YCZTTjekbYJkGRpI  

Tobias Feldmann plays Bartok, Beethoven, Waxman and Ysaye

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I discovered Tobias with this recording and invited him to the Sociedad Filarmónica de Las Palmas de Gran Canaria on the 15 of November 2021, moment when I discovered another exceptional musician: pianist Yekwon Sunwoo. A prize winner of the International Queen Elisabeth Competition, German Music Competition and Joseph Joachim International Violin Competition, recent concerto highlights for Tobias have included performances with Minnesota Orchestra, Konzerthausorchester Berlin, WDR Sinfonieorchester, NDR Radiophilharmonie Hannover, Orquestra Simfonica de Barcelona, BBC Scottish Symphony, BBC National Orchestra of Wales, Bournemouth Symphony, Helsinki Philharmonic, Residentie Orkest, Concertgebouw Chamber Orchestra and Ensemble Resonanz, Moscow State Symphony, Brussels Philharmonic, Utah Symphony, Orchestre Symphonique de Québec; collaborating with Nathalie Stutzmann, David Afkham, Joana Mallwitz, Thomas Guggeis, John Storgårds, Nicholas Collon, Lorenzo Viotti, Reinhard Goebel, Fabi...

Beethoven Violin Sonatas by Itzhak Perlman & Vladimir Ashkenazy

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This is probably my favorite set of Beethoven's Violin Sonatas along with Menuhin/Kempff. Undervalued in favor of his trios and string quartets, the sonatas for violin and piano reflect Beethoven's compositional transition from classicism to romanticism. These works are not just accompaniments, it is a conversation between two powerful voices. The early ones, Opus 12, show influences from Mozart but we have the first innovative structures and harmonic progressions. His middle sonatas are a more profound dialogue between both instruments in terms of tonality, rhythm and form. The late ones, Opus 96, anticipates de romantic era and demands great technical skills.  If you want this recording send me an email to canariasesmusica@gmail.com and I will send you the link.

Noel Mewton-Wood plays Shostakovich's Concerto for Piano, Trumpet and Orchestra #1

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Noel was born in Melbourne on the 20th of Novembre, 1922. He entered the Melbourne Conservatory at the age of 7. A year later he visited Wilhelm Backhaus thanks to a fund that was created to help him to study in Europe where he based in London and later admitted to Artur Schnabel's masterclasses in Italy. His debut was on the 31th of March of 1940 performing Beethoven's Third Piano Concerto under Sir Thomas Beecham who described him as "the best talent I've discovered in the British Empire for years". He was an exceptional interpreter of 20th century music including Bartok, Stravinsky, Shostakovich, Busoni and Prokofiev. He used to collaborate with Bliss and Britten: Bliss dedicated his Piano Sonata to him and he played the premiered revised version of Britten's Piano Concerto with the composer conducting at the Cheltenham Festival on the 2nd of July of 1946. In late 1953 his partner, William Fredrick, had complains about stomach pains, but nobody took it seri...